Identification Documentation

Madeline Hibbert BFA: Identification Document

1. Hibbert: “Sun Symbol,” Paper/Paint, 8x8”, 2D Design, 2015 

2. Hibbert: “Recipe Self Creations,” Indesign, 8.5 x 11”, Typography and Publication, 2015

3. Hibbert: “Lemon Pepper Recipe,” Indesign, 8.5x11”, Typography and Publication, 2015

4. Hibbert: “Themed Photos,” Photography/ Photoshop, 8.5 x 11”, Self Directed, 2015

5. Hibbert: “Practice Type Sketches,” Paper, 8.5 x 11”, Self Directed, 2015

6. Hibbert: “Movie Poster,” Photoshop,  11x17”, Art 3420 A, 2015

7. Hibbert: “Land O’ Lakes Challenge,” Photoshop, Photography, 2015

8. Hibbert: “In Class Color Correction,” Photoshop, Photography, 2015

9.Hibbert: “Letters In Color,” Illustrator, 16x16”, Typography and Publication, 2015

10. Hibbert: “Figure/Ground”, Paper, 8.5 x 11, Two Dimensional Design, 2015

11. Hibbert: “Similarity-Proximity Collage and Shapes,” Paper/Magazines, Two Dimensional Design, 2015

12. Hibbert:  “Illustrator Practice” Digital, Art 3420 A B, 2015. 

1. Madeline Hibbert : Sun Symbol

1. Hibbert: “Sun Symbol,” Paper/Paint, 8x8”, 2D Design, 2015


This assignment required the simple task of creating a moon or sun symbol with one added color besides black and white. Never the one to go completely easy or simple, I decided to incorporate a variety of sun symbols known around the world. I ended up drawing from many native american, ancient aztec, aboriginal, and asian symbols for the sun to create my own unique, slightly abstract, symbol for the sun.

2. Madeline Hibbert: Recipe Self Creations

2. Hibbert: “Recipe Self Creations,” Indesign, 8.5 x 11”, Typography and Publication, 2015

This project called for keeping themed recipes, real or created, for a total of three pages. Each needed a coherent page structure, yet enough difference to keep the look interesting on the eye and unique for each page. This assignment allowed for the use of color as well-not to take over the typography-but to strengthen it. That was something I keenly became aware of the more I worked on this to allow the typography to do the designing with the color and not the other way around.

3. Madeline Hibbert: Lemon Pepper Recipe

3. Hibbert: “Lemon Pepper Recipe,” Indesign, 8.5x11”, Typography and Publication, 2015


For this assignment, the only things allowed were typography and space to create visually dynamic page structures to showcase how a recipe can be set up in multiple ways to allow for readability and organization. It was all about the utilization of typography, negative space, and hierarchy for ease of use on the human eye. The goal was to use every part of the page effectively so that nothing appeared wasted or leftover. 

4. Madeline Hibbert: Themed Photos

"Eerie Candescence 1"

"Eerie Candescence 2"

Splat

4. Hibbert: “Themed Photos,” Photography/Photoshop, 8.5 x 11”, Self Directed, 2015

These photos are a combination of photos I have taken to create different moods. The first    photos were meant to evoke an eerie mood from the high contrast dulled colors of a morning sunrise coming over a foggy field, or from light cascading though open patches of clouds. The splat photo was meant to give a young punk fill, as a lot of youth wear converse and creating messes comes along with the territory. What I liked about doing these personal photos for design is that for design, there is also content, so it was good practice to create the feeling you want something to have and then create that for the theme.  

5. Madeline Hibbert: Practice Type Sketches

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5. Hibbert: “Practice Type Sketches,” Paper,  8.5 x 11”, Self Directed, 2015

These were personal practice sketches I did on my own time. The reason I have a variety of types I picked is because I was practicing different styles. One through nine were my attempts at practicing 'anime style' from using characters from shows, as well as to practice character heading turning. Ten and eleven was my own created character I did after I decided to give it my own try. Twelve through fifteen was also practice on heading turning provided by the internet, and how to correctly begin and end a face to get the correct head movement for numerous situations. Sixteen through twenty five was also my practice on realistic drawing from faces to random objects and everyday items. 

6. Madeline Hibbert: Movie Poster

This project was an experiment to make our own movie poster to better learn uses of photoshop. I went with a parody on the Hunger games creating the Hungry Games, following the same Bank Gothic font as the original posters to create a similar feel with a "multiple" shading effect applied.  I also overlaid Gollum with various cut out utensils and well known quotes from both movies.  

7. Madeline Hibbert: Land O' Lakes Challenge

7. Hibbert: “Land O’ Lakes Challenge,” Photoshop, Photography, 2015

The Land O’ Lakes Challenge was quite a bit of a challenge. It required buying the actual butter box, photographing it in proper daylight, cropping it,changing it to LAB color, accurately making sure white was white and black was black on the info tool, and then finally, getting it to print out as accurately looking to the real butter box as possible. The last part was the hardest, as there is a different between additive light on the computer screen to the subtractive color of the printer. 

8. Madeline Hibbert: In Class Color Correction

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8. Hibbert: “In Class Color Correction,” Photoshop, Photography, 2015


This color experiment was similar to the butter box challenge, however, this one involved some majorly off color photographs. What I really learned from this was how to use camera raw as well as utilize photoshop to manipulate photographs in any way possible to achieve an awesome amount of effects. The case for this assignment however was to make these photographs as realistic as possible by making sure once again the white was white and the black was black with the curve, color correction and info tools.   

9. Madeline Hibbert: Letters in Color

9. Hibbert: “Letters In Color,” Illustrator, 16x16”, Typography and Publication, 2015

This project called for the use of color which could have been the same for each picture, or they could have been entirely different. The whole point however was to cleverly make these letter designs come together with aesthetics and expressiveness but still have readability and clarity of what letters were making up the whole. Then the final was printed on 16x16” paper for critique.

10. Madeline Hibbert: Figure/Ground Shapes

10. Hibbert: “Figure/Ground”, Paper, 8.5 x 11, Two Dimensional Design, 2015

This project was for obvious figure ground relationships, the figure being the thing that is seen and focused on while the ground is everything else. The goal was to take a letter and create four figure ground relationships.  The first was to be a letter that was fifty fifty in figure/ ground relationships. The second, third, and fourth experiments were to choose one of the colors/shapes, take those shapes, and create new figure ground relationships. The second picture was to allow none of the figure touch the outer edges. The third was to allow each border be touched by those same color shapes, and the fourth picture was freestyle. Overall, this project helped me see just how much figure ground relationships can affect a piece and be effectively utilized.